The Dispatch Project
The format of the Dispatch Project is rooted in the documentarian tradition of the longform immersive body of work with an emphasis on an inside perspective; the aesthetics of the project on the other hand operate in an experimental manner in order bring a more dynamic perspective to the narrative.
R. Scott Davis has nurtured a close relationship with the two main EMS providers in Bangkok which has granted him unparalleled access to their work.
P Boy, Bangkok
The format of the Dispatch Project is rooted in the documentarian tradition of the long form immersive body of work with an emphasis on an inside perspective; the aesthetics of the project on the other hand operate in an experimental manner in order bring a more dynamic perspective to the narrative.
R. Scott Davis has nurtured a close relationship with the two main EMS providers in Bangkok which has granted him unparalleled access to their work.
Elderly Police Officer, Nanthaburi
film-still image composition
Implementing this film-still image composition also has the effect of increasing the viewer’s awareness of their subjective self while experiencing the work, instilling a deeper sense of compassion.
Education is an integral part of the project
R. Scott Davis have been supervising small groups of select photography students both Thai and international from his university coursework who wish to push their photography to a higher level for ten years. This includes imparting a sensitivity to the subjects encountered while photographing and adhering to professional ethical codes. Student activity is integrated into the project.
See the following for additional information on the Dispatch Project including the Crime Investigation Laboratory Series with the Central Institute of Forensic Science [CIFS], a lovely portrait of nurse Puan and CODE BLUE, the Women of Ruamkatanyu.
Pe excavating Skeletal Remains, Bangkok
RKU Pom gunning the turbo, Bangkok
